Monday, April 30, 2012


Ted Hughes “An Otter”
                I chose to really try and analyze this poem for the shallow reason of my favorite animal being an otter. In reading, I would believe that the otter is purely symbolic of some other idea like a person, or an exile, “Like a king in hiding.” (line 17). As with most poems, I have learned to look at the last stanza for a meaning to the poem. In the big picture, we have this wandering creature that once belonged to the land of everyone else. Now he is seeking some sort of home he cannot find, but in the end, he is hunted by the land creatures and his pelt is tanned and strewn over a chair. I could say this poem is about being a wanderer as an identity of a person, that once that person finds the land he has been looking for, he loses himself and becomes “this long pelt over the back of a chair.” (line 40), or that there is some sort of injustice in an otter’s life, or that once exiled, this “king” can rule a new world, which is that of fish. Another notable feature about this poem is its structure. Frequently the first few words of a sentence is begun on a previous stanza, while the rest of the thought continues not only to the next line, but the next stanza. I am curious as to why Hughes chose this odd structural format.

Thursday, April 26, 2012


Philip Larkin “Church Going”
                Larkin must be somewhat of a comic writer, because the title of this poem is a pun in itself. We think it will be about going to church (or at least I did), however it is really about the church “going” away. Distracted by my reverence for this poem as a sci-fi poem set in the future, because I don’t believe the church will ever go away. That being said, the poem gives light into how many atheist people must feel about the church, as merely a place for marriage, baptism, and funerals. “Only in separation—marriage, and birth, / And death and thoughts of these—for which was built” (lines 50-52). It seems surprising that this poem was written in 1954 when I thought that religious conservatism was at a stable point. If that is the case, then this is a very revolutionary or avante garde kind of work.

Monday, April 23, 2012


Robert Lowell “Memories of West Street and Lepke”
                The poetic nature of this poem lies in the way in which its stanzas are presented in a possible chronological order. The stanzas have seemingly little connection with each other, however they could be a timeline of memories throughout a person’s life just as the title suggests. Clearly the poem could be recounted as a summary of one’s life, but what is most exceptional about this poem is that it seems to recount a list of bad or darker things in life. the poem is also written in a romantic meter, however the topics are very dark; involving jail drugs and death by electric chair. This poem tries to communicate to me a sort of antiromantic picture of life. Clearly the third stanza seems to be the changing point of this story. It seems to describe the moment in the narrators life when everything went bad, and how it did. Given that no major story was made, its doubtful that he went to jail for something terrible, rather he may have gone against some sort of government regulation which landed him in jail.

Tuesday, April 17, 2012


Dylan Thomas “Fern Hill”
                After first reading this, it was a relief to find that some poets upheld the values of something thought out purposeful and metered. Even if there was no justified rhyme scheme at the end that pre-modernists sought to maintain, the poem is still not so  haphazard and careless sounding as those of the Beat poets. This poem has themes of the innocence of youth and the injustices of growing older. I Feel like the whole poem is a set up painting an impressionistic like picture of what a joyous life a young child can have on a farm, so that the last stanza can seemingly reverse our lighthearted mood that Thomas has created.  The last two lines of the last stanza are specifically paradoxical to what we hear at the beginning of the poem. “Time held me green and dying / Though I sang in my chains like the sea.” (lines 53-54). Thomas also seems to use describing words in very unconventional ways. In this way he is not like the old poets. He likes to use adjectives that normally describe other things for unexpected nouns and verbs.

Thursday, April 12, 2012


Shell Silverstein “The Perfect High”
It seems that another consequence of modern culture that affected some of the beat poets was the experimentation of drugs. While I cannot relate to the literal reading of this poem, I would say that there could be a wide interpretation. Just using the themes of drugs in the background of the poem is what illustrates the culture that this poem arose from. One could have certainly replaced the drugs with almost anything else, foods, experiences or perhaps even women, however the message can come across the same
"Well, dog my cats!" says Baba Fats. "here’s one more burnt–out soul,
Who’s looking for some alchemist to turn his trip to gold.
But you won’t find it in no dealer’s stash, or on no druggist’s shelf.
Son, if you would seek the perfect high –– find it in yourself."
These lines are met with some resistance from Gimmesome Roy who finds it unacceptable that he has worked so hard to find something that seems simple when in reality it is not. This theme is especially motivating for those willing to listen to Baba Fats. as it is a predominant cultural belief that things can be achieved by material means without the use of intrinsic thought. This poems message is to find that happiness is not something obtained but achieved. 

Tuesday, April 10, 2012


Allen Ginsberg “Howl”
Was really glad we got some good explanation about this work in class today. At first reading, the poem appears to be a non-rhythmical, poorly written rant about some terrible life who did nothing good, and all things miserable. In part two I feel like it’s an un enlightening parody, or satire on Maloch, who symbolizes the United States taking away the people’s humanity, to which I as when has any vast number of people ever had this humanity? that’s beside the point. It is good to know that this poem was done in the Dadaist fashion. Most helpful was the analogy between this poem and a collage that our professor gave us today. Just as impressionist paintings described the poetry as well. We find all sorts of macabre or grotesque things in this poem. Things that are not well thought of. Ginsberg does a great job of adding humor to lighten the almost whiney tone of this poem. These whines significant and wanting to be heard as what the author probably thought was a howl. There’s no telling how loud the howl was, and how much of an impact it actually made. I do appreciate how the lack of style in Dadaist poetry allows writers to freely express emotion in a kind of in your face approach. I would like to employ this type of writing, similar to Ginsberg as kind of a lazy impressionism.

Allen Ginsberg. “Last night in Calcutta”
In this poem I could go on to summarize what would be seemingly sleeping in a dankish hot room in India, but that would be boring. Instead I will focus on the lines of the poem that seem the most out of place to me, or the hardest to understand. The last 3 lines of the poem begin with a hyphen and it  says “—Leave immortality for another to suffer like a fool, / not get stuck in the corner of the universe / sticking morphine in the arm and eating meat.” (lines 38-40). The previous lines seem to elude to the narrator having pain in the kidney.  “Skin is sufficient to be skin, that’s all / it ever could be, tho screams of pain in the kidney / dying to finish its all too famous misery”(lines 34-37). It would seem that the narrator is in pain and doesn’t want to die in Calcutta. I would say the significance of the morphine would at least be symbolic of an unwillingness to let go. I would also make so bold of an assumption as to say that “eating meat.” is a reaction against the Indian culture in which many are vegetarian. It seems the narrator wants to go back to New York or Bangkok (line 33) but I couldn’t say why. Let me say that there is at least some more structure to this poem compared to many of ginsberg’s others which makes it easy to read, but it is still filled with vagueness, the likes of which I have experienced far too much since beginning this course.